By Luke Alfred
Why the Proteas Choke on the Cricket global Cup.
How is it attainable that the Proteas have by no means gained a unmarried knockout fit at an international Cup? Are our cricketers not able to imagine on their toes? Is it reasonable to name them ¿chokers¿? What might be performed to win at last?
Since South Africa's readmission to global cricket in 1991, the Proteas have performed in six international Cups (and 4 international T20 tournaments) and feature been knocked out in them all. the explanations diversity from the elements and misreading the Duckworth¿Lewis desk to being outwitted at the box itself. within the newest tournaments, even though, they've got proven a scandalous loss of nerve within the pressure-cooker of overseas knockout cricket.
Drawing from interviews with the foremost protagonists and behind-the-scenes officers, The paintings of wasting recreates the drama of those fits. With clean anecdotes, tales and insights, it additionally makes an attempt to give an explanation for why global Cup failure has develop into a behavior. Does the matter lie with training, with communique matters, or with a scarcity of self reliant pondering one of the avid gamers? Is it the fabricated from a pampered expert atmosphere, or of the South African education system?
The paintings of wasting will ruffle feathers yet also will try to clarify the ¿choker¿ tag that has turn into so frequent. Is it reasonable? The Proteas, in spite of everything, win a excessive percentage in their one-day suits and feature the superior cricketers on the earth. Why, then, do they constantly fail to transparent that ultimate hurdle?
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Extra resources for The Art of Losing: Why the Proteas Choke at the Cricket World Cup
Sample text
ESKIMO DRAWING OF DANCE HOUSE Ail I return to Where 7s[ot I my little song patiently I sing When When It forty me thing live to see the And Ail Ail it fishing holes in the ice upstream wind blows cold fishing the I stand shivering giving myself time to wait for home saying was the fish that go failed them —upstream.
Page twentyeight MAN KNEELING (GRANITE) BY TUDUK, CAPE DORSET, BAFFIN ISLAND BOY HOLDING DOG Page thirty (STONE) BY TUNU, KANGEAK, BAFFIN ISLAND Another sees the sullen treachery of the Another tries to capture in stone massive bulk of the walrus. all but the essence of discard They watch an infinity of detail, then, perhaps, a bear. what they see beyond the In quiet moments they remember, and carve the form. for art They carve without pretension and without self consciousness, Arctic night. It belongs to all.
What motivates this man and his art? Perhaps it is the clinging remnant of a forgotten civilization, of the Asiatic continent where he almost certainly originated. Perhaps it is pure love of craftsmanship which he clearly holds in high esteem. The He must severe climate demands that the Eskimo spend much of his life in his home. His industrious habits leave him time to contemplate provide his own -amusement. ^^HE Eskimo and perfect finds beauty in the light sleek his art. And, of course, he has never wasted WEASEL (STEATITE) lines of the weasel.