By Jeff Smith
After interpreting all of the sparkling stories of this booklet, i used to be watching for whatever actually outstanding. After completing the booklet, i will not aid yet consider a bit upset. approximately forty% of the e-book has not anything to do with easy methods to take head and shoulders photographs (or any photographs, for that matter), yet quite with the enterprise of images, and the way to make yours extra ecocnomic. it kind of feels this publication is aimed, now not on the beginner photographer, yet on the professional who is trying to enhance his company. He is going on approximately how to define out what a consumer desires, how one can deal with them, what issues to have on hand at your studio, and so forth. this can be all solid details if you desire it, yet probably he must have stored it for a e-book entitled "The enterprise of images" or anything. so much of his feedback easily wouldn't observe to an beginner. for instance, he indicates hiring assistants to do nearly every little thing other than take the pictures, claiming "You make thousands of bucks an hour at the back of the digicam, but if you take a seat on the computing device, you are doing the task of somebody making twelve money an hour." good, that is all advantageous, yet it is not what i used to be trying to find in a ebook with the name "Jeff Smith's consultant to go and Shoulders Portraits". i used to be hoping for...I do not know...maybe a few info on the way to take nice head and shoulders pix. it isn't like most people studying this e-book are capable of rent plenty of assistants. If I had that sort of cash, i would just pay a professional seasoned photographer to coach me every little thing he knows.
Mr. Smith is going on and on approximately how one can make your images enterprise ecocnomic, and primarily states that, in case you do not stick with his suggestion, you can be a kind of photographers complaining approximately being placed into chapter 11 by means of "soccer mothers with dSLR's". He time and again emphasizes the significance of understanding what your clients wishes and needs are. yet he does not appear to remember the fact that this publication is probably no longer being learn through fellow pros, yet by means of the very "soccer mothers" and different amateurs he rails opposed to. i feel he has did not take his personal recommendation and has positioned out a ebook that does not meet the expectancies of his clients.
Now, the explanation I provide the e-book 3 stars and never only one is since it does comprise a few priceless information regarding posing and lights the topic, and his graphics are really wonderful. after all, it is helping that he runs a really high-end images studio, and his consumers are the "beautiful humans" of California, now not the typical Joe or Jane. i am not convinced his lighting fixtures setup, which leans extra towards style lighting fixtures than portraiture, will be acceptable for many consumers. nonetheless, the booklet indicates the lighting fixtures concepts and posing rather well. He additionally is going into aspect on posing the palms, head, shoulders, or even the eyes. it truly is only a disgrace that he wasted a lot house on details that won't on subject. I want he had long past into extra element on a variety of lighting fixtures setups, yet it appears he did not have sufficient room. evidently, he felt that together with info on find out how to inventory tampons simply because "the commonplace girl starts off her interval at unforeseen occasions in embarrassing areas and has no hygiene items" used to be extra very important.
I'm protecting the publication, so Jeff has made his revenue off of me, which appears to be like his major aim. yet I will not be placing him on my record of authors to shop for from within the future.
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Additional resources for Jeff Smith's Guide to Head and Shoulders Portraits (Professional Photographers Gde)
Example text
Hair lights are used to improve separation and enhance the luminance of long hair. Hair Light. The second light that I would consider a necessity in a low-key area would be a hair light. This light is mounted above the center of the background and angled toward the subject’s head. I typically put the center hair This light should be set light about ten feet high for a typical head and shoulders area in which the sub- to read one stop less jects will be seated or leaning. I place it twelve feet high in areas where the sub- than the main light.
For years, I used a drafting table covered with mylar, and before that I used a piece of foam-core board covered with mylar—and both solutions provide a nice look if you’re on a budget. I like the effect of having a light come from underneath a subject’s face, because it adds highlights to the lips and a lower catchlight in the eyes. It also helps smooth the complexion and lighten the darkness that most of us have under the eyes. Many times, if the reflector seems to be getting in the way, I will replace it with a large softbox on the floor.
The Tilt of the Head. How I wish that every college teaching photography would just avoid this one subject. I have never seen one aspect of photography 60 JEFF SMITH’S GUIDE TO HEAD AND SHOULDERS PORTRAIT PHOTOGRAPHY looking off-camera. that so many photographers leave school doing so badly. I have seen everything ABOVE—The only difference between these from young ladies who look completely awkward, to guys who look like they two portraits is the tilt of the subject’s head—but what a difference it makes!