By Skiles Howard
Pupil Skiles Howard examines the social and semiotic complexities of dance in Renaissance England because it replaced over the years and played various paintings in court docket, urban, and playhouse. Interdisciplinary in its procedure, this well-researched examine explores problems with strength and the physique, gender and rank, pop culture and eu enlargement. 20 illustrations.
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Additional info for The politics of courtly dancing in early modern England
Example text
Page 14 tion from the Livre de Roi Modus represents this processional dance in all its conscious dignity, with ladies clasped tightly on the gentleman's right and appended firmly to the ground by the trains of their gowns (Fig. 9). 35 The relationship of the Italian and French versions to each other and to the English measures is still unclear. However, the assortment of Continental treatises and English writing reveals common features, including an increasing formalization of all aspects of the practice, a theorization that presupposed human control over space and time, and the performance of social difference.
Cultural trends that emerged in Italy and France in the fifteenth century, including fashions in dancing, manifested themselves in England in the sixteenth, when Henry VII returned from exile and introduced the customs of the Burgundian court to dignify his reign. "16 The reticence of dancing masters in England is remarkable in comparison with their Continental peers who recorded their dances in excruciating detail, and the reasons may only be guessed at. 18 Perhaps the explanation may be found in the relative mobility of English dancing masters: "Why should the leaden-heeled plumber have his hall," asks Middleton's Sinquapace plaintively, "And the light-footed dancer have none at all?
Moving between city craft and courtly service, between music and dancing, self-employed purveyors of courtly refinements rather than members of a royal household, they may not have had sufficient leisure to record their accomplishments. 19 Whatever the reason for the lamentable silence of the English dancing master, English references to dancing confirm the adoption of French and Italian styles, and support the relevance of Continental manuals. The Courtly Dances of the Renaissance In the late Middle Ages, so the story goes, singing and dancing were an important part of feast-day processions and secular celebrations, when gentle and common met in open spaces, linked hands, and danced to their own songs.