By Debra Craine
With over 2,600 entries, the second one variation of The Oxford Dictionary of Dance is a different unmarried quantity reference on all elements of dance functionality written via prime dance writers, Debra Craine and Judith Mackrell. The paintings covers all elements of the various dance global from classical ballet to fashionable, from flamenco to hip-hop, from faucet to South Asian dance types and comprises distinct entries on technical phrases, steps, kinds, works and international locations, as well as many biographies of dancers, choreographers, and firms.
During the final thirty years the limits of dance were notably redrawn. there was an explosion of latest job inside conventional types like ballet, a circulation of recent dance languages invented through clean generations of choreographers, and there's a turning out to be appreciation of cultural dance varieties from world wide. enthusiasts at the present time tend to attend performances as diversified as Spanish flamenco, Indian bharata natyam, eastern butoh, classical ballet, and post-modern dance. With an emphasis on functionality - the dance we see in our theatres this present day - readers will locate either truth and research on quite a lot of matters, from varieties of dance and the historical past of dance businesses and their productions, to dancers, choreographers, and technical terms.
With one hundred fifty new entries, this new version charts advancements that experience happened over the past ten years, together with the increase of recent electronic know-how within the construction and staging of dance and the circulate to the mainstream of previously fringe genres corresponding to hip-hop, in addition to the coming of a brand new iteration of dancers and choreographers to the scene.
Read or Download The Oxford Dictionary of Dance PDF
Best dance books
Street Scenes: Late Medieval Acting and Performance
Highway Scenes offers a thought of past due medieval appearing and function via a clean and original studying of the Tretise of Miraclis Pleyinge. The functionality idea point of view hired the following, besides the exam of actor/character dialectics, paves the way in which to understanding either non secular theatre and the complexity of overdue medieval theatricalities.
Choreographing Difference: The Body and Identity in Contemporary Dance
The choreographies of invoice T. Jones, Cleveland Ballet Dancing Wheels, Zab Maboungou, David Dorfman, Marie Chouinard, Jawole Willa Jo Zollar, and others, have helped identify dance as a vital discourse of the 90s. those dancers, Ann Cooper Albright argues, are asking the viewers to determine the physique as a resource of cultural identification -- a actual presence that strikes with and during its gendered, racial, and social meanings.
The Remix Manual: The Art and Science of Dance Music Remixing with Logic
Are you able to flip a soulful ballad right into a hit dance song, or make any Billboard hit your individual? With this all-in-one advisor to remixing, you could! no matter if you are a specialist DJ or manufacturer, or are only commencing to combine tracks, this step by step advisor will convey you thru the complete technique of making your individual professional-quality remixes.
In constantly multiple, the thinker, visible artist, and dancer Erin Manning explores the concept that of the "more than human" within the context of move, belief, and adventure. operating from Whitehead's approach philosophy and Simondon's concept of individuation, she extends the innovations of stream and relation constructed in her past paintings towards the thought of "choreographic considering.
- The Little Capoeira Book
- The Performing Arts: Music and Dance
- Labanotation: The System of Analyzing and Recording Movement
- The Unity of Music and Dance in World Cultures
Extra resources for The Oxford Dictionary of Dance
Example text
Deane for English National Ballet (mus. Tchaikovsky , arr. C. Davis , 1995). Back - New Search Allan , Maud(e) (b Canada, 27 Aug. 1873, d Los Angeles, 7 Oct. 1956). Canadian dancer. She studied music and fine art and became interested in dance through her enthusiasm for reviving the dance forms of ancient Greece. In 1903 she made her debut in Vienna in The Vision of Salome (mus. Marcel Rémy ) in a daringly revealing costume, shocking many in the climax where she kissed John the Baptist's severed head.
1945). US dance writer. She studied at Smith College and at the Universities of Padua, California (Berkeley), and Rutgers, becoming critic for Dance Magazine in 1982 and for the New Yorker in 1998. She has also written for other publications including Wall Street Journal; is author of Mark Morris (New York, 1993) and editor of André Levinson on Dance (with Garafola , 1991) and The Diary of Vaslav Nijinsky (1999). She was awarded a Guggenheim Fellowship in 1993. Back - New Search Acosta , Carlos (b Havana, 2 June 1973).
Lopukhov and created his first ballet in 1966 for the newly created Chamber Ballet. Inspired by New York City Ballet's first visit to the Soviet Union in 1962 he was one of the first Soviet choreographers to create plotless ballets, though his output has included some dramatic works. In 1968 he created Oresteia (mus. Falik ) for the Kirov followed by The Scythian Suite (mus. Prokofiev , 1969). From 1967 he also taught at the Leningrad Conservatory and from 1972 to 1980 he was artistic director and chief choreographer of the Tbilisi Opera Ballet.