By E. Rust
Regardless of the world-wide organization of track and dance with faith, this can be the 1st full-length learn of the topic from an international viewpoint. The paintings involves 3,816 references divided between 37 chapters. It covers tribal, local, and international religions and such topics as shamanism, liturgical dance, therapeutic, and the connection of song, arithmetic, and mysticism. The referenced fabrics reveal such assorted methods as research of tune and dance, description of context, direct adventure, remark, and hypothesis. The references deal with issues from such disciplines as sociology, anthropology, historical past, linguistics, musicology, ethnomusicology, theology, medication, semiotics, and laptop technology.Chapter 1 involves common references to non secular tune and dance. the rest 36 chapters are prepared in keeping with significant geographical parts. so much chapters start with normal reference works and bibliographies, then proceed with subject matters particular to the area or faith. This publication should be of use to an individual with an curiosity in song, dance, faith, or tradition.
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Additional resources for The Music and Dance of the World's Religions: A Comprehensive, Annotated Bibliography of Materials in the English Language (Music Reference Collection)
170. Siikala, Anna-Leena and Mihaly Hoppal.. , ed. Helsinki: Finnish Anthropological Society, 1992. 68-78. 171. Simoncsics, P. " In Shamanism in Siberia, V. Dicszegi and M. Hoppal, ed. Budapest, Hungary: Akademiai Kiado, 1978. 387-402. A lengthy and detailed musical analysis of a magic song recorded in 1842, the first ever recorded. 172. Sommarstrom, B. " In Shamanism Past and Present: Part 1, Hoppal and Sadovsky, ed. 125-144. 173. Stromback, D. " Studia Ethnographica Uppsaliensia 11 (1956): 216.
Sullivan, Lawrence E. " The World of Music 26, 3 (1984): 33-52. A study of the relationship between sacred music and cosmogenic, cosmological, cultural, and eschatological times. Sacred music is considered a symbolic way of describing and dealing with time and notions of change. Native South American sacred music is used to illustrate this relationship. 64. Tambiah, S. J. , 2 (1968): 175-208. A study of language used in ritual forms such as songs, prayers, spells, blessings, etc. Rituals examined include Sinhalese healing rituals, Ndembu hunters' cult songs, Northeast Thailand Buddhist chants and rituals, Lao 'calling the spirit essence' ritual, Sinhalese mantra, and sacred languages of the occidental Catholic church, Jews, Hindus, and Muslims.
Falkenhausen, Lothar von. " Archaeology 47, 1 (1994): 47. A set of music instruments found in the tomb of Marquis Yi of Zeng (5th-century BC China) were probably used to play traditional liturgical music and accompany ritual hymns. 187. Ishida Hidemi. " Contemporary Music Review 1,2 (1987): 75-84. 188. Keupers, John. " In Buddhist and Taoist Studies I, Michael Saso and David W. Chappell, ed. Honolulu: University Press of Hawaii, 1977. 79-94. 189. Kornfeld, F. " In Studia Memoriae Bela Bartok Sacra, Budapest 1956.