By Alan Liu
Wisdom paintings is now the reigning enterprise paradigm and impacts even the area of upper schooling. yet what point of view can the data of the arts and humanities give a contribution to a global of information paintings whose fundamental project is company? and what's the position of knowledge know-how as either the servant of the information economic system and the medium of a brand new technological cool? within the legislation of Cool, Alan Liu displays on those questions as he considers the emergence of recent info applied sciences and their profound effect at the types and practices of data.
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Extra info for The Laws of Cool: Knowledge Work and the Culture of Information
Sample text
31 Identity is locally specific and irreducible. 32 At once postnatural (nonmaterial) and postnational, such social space is Bourdieu’s network. As he says at one point in An Invitation to Reflexive Sociology, “I have analyzed the peculiarity of cultural capital, which we should in fact call informational capital to give the notion its full generality, and which itself exists in three forms, embodied, objectified, and institutionalized. ”33 It is almost as if Boudieu were equating “network” specifically with the Internet.
New Class critique, we may say, is a method that has been dragged protesting from economically grounded class analysis to what seems to some of its practitioners the Never-Never Land of a new class concept—not just a concept of the New Class but a new concept of class. ”42 It is the class of morphs, or amorphous class. Yet the whole point is that such amorphousness is concretely fractionable and locatable, sector by sector. Knowledge work may be as vast as all culture because it is everywhere.
By the same token, workers are frequently unmotivated and selfish compared with their foreign counterparts; and consumers have in the past replaced good sense and security with almost pathological acquisitiveness. 8 Education, of course, comes in for special attention as the very pharaoh of decadent old ways. 9 To emphasize such harsh, corrosive, often satiric denunciation, we recognize, is to see that the new business literature walks the dark side of the street (the “road ahead”) of prophecy. From this perspective, works in this genre are fire-and-brimstone jeremiads damning sinners in the hands of an angry global competition.