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Vol. 1 , p. I 5 i f f , figs. 8 6 0 - 6 5 , 42 Herrmann 867-68, for the Hellenistic portrait o f Hippokrates. See Richter-Smith (note 8), p. I 7 i f , figs. 132-33, for the portrait type, clearly a late Hellenistic creation, representing the fifthcentury poet Panyassis o f Halikarnassos. 39. École française d'Athènes, Exploration archéologique de Délos X I I I ; C. Michalowski, Les portraits hellénistiques et romains (Paris, 1932), p. i f f , figs. 1-2, pis. I - V I . The head is now usually dated to late Hellenistic times; cf.
Has shown that the Gigantomachy frieze was finished after the blocks had been put i n place on the building. The unfinished area high on the back o f the Istanbul head, immediately under the molding that crowned the frieze and close to the sharply projecting dentils, would have been difficult for the sculptor to reach. However, L. Giuliani (Bildnis und Botschaft [Frankfurt am Main, 1986], p. 27if, no. 53) has persuasively maintained that the hair on the back o f the head, for example at the nape o f the neck, is finished w i t h a care impossible on a piece not worked fully in the round and that the head is indeed an Alexander closely related to the Schwarzenberg type.
On varying opin ions as to the date o f the original o f the Herculaneum bust. Cf. Queyrel (note 1 2 ) , p. 138 no. 2 9 4 , for the convincing identi fication o f a head from Pergamon i n Boston as Philetairos; the head seems related i n feeling to the early likenesses rather than the Papyri bust. 3 2 . Cf. Hiller (note 1 6 ) , p. 2 5 0 . , he dates to the reign o f Attalos I . To the present author, no one coin portrait o f Philetairos is directly comparable to the Naples bust, though there are signs o f parallel idealizing ten dencies w i t h i n the series o f coin portraits.