By D. Knuth
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Extra resources for The Art of Computer Programming [V. 2 - Seminum. Algs]
Example text
At the very least, for now, learn where the control is to turn your histogram feature on and off. I discuss the advantages — and the limitations — of the histogram feature in Chapter 8. ■ Get to know an image-editing program. If you’re not already using an image-editing program, it’s probably a good thing to learn concurrently with learning to use your digital camera. With some basic skills in editing, you can quickly remedy those (rare) exposure mistakes that you make with the camera, or simply enhance the good qualities of your exposures (converting images to black and white, for example — see figure 1-12).
5 at ISO 100, on a tripod. ABOUT THIS PHOTO Fog is the great thief of contrast, and the brightness of fog can fool a camera’s light meter into thinking there’s more light available than actually exists. 6 at ISO 200, on a tripod. Getting a good exposure in tricky conditions may seem like an overwhelming challenge when you’re first getting used to your camera, but it will become second nature very quickly. I’ve seen students who didn’t know a blown out highlight from a lens cap at the start of one of my adult-education classes, mastering the basics of exposure in a matter of a few weeks.
The key to getting the exposure that satisfies you the most is imagining what you want the picture to look like before you even begin to meter the subject (see 1-15 and 1-16). In the shot of New Hampshire’s famed stone profile of the Old Man of the Mountain (see 1-17), I turned his classic profile into a silhouette by exposing for the sky. Sad to say, the Old Man crumbled to the valley floor during a hard winter — after 12,000 years of looking down on New Hampshire. ABOUT THESE PHOTOS Sunsets offer a great example of how a slight shift in exposure can radically alter the final results.