By Tara Baukus Mello
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Additional resources for Stunt Driving
Example text
The NASCAR race sequence was shot over a period of several days. The film was then skillfully edited to make the race appear exciting and believable to the audience. In order to make any scene believable, the action must be realistic for the character. For example, an extremely elderly man probably would not be racing around on city streets. Yet if the script required him to be driving wildly, the director might create a situation in which someone was chasing the old man, in order to make the dangerous driving believable to the audience.
62 GLOSSARY Camera car—Any vehicle, such as a pickup truck, car, motorcycle, or car pulling a trailer, that carries the camera crew and camera equipment. Counterweight—A weight in one section of the car, such as the trunk, that will make it easier for that part of the vehicle to stay closer to the ground than the rest of the vehicle. Dry run—Rehearsing a driving sequence before any of the dangerous elements are added, such as a wet road or explosives. Half-speed—Describing a slow-speed rehearsal of a driving stunt Hero car—A car identical to the one being used for the stunt.
For example, in the scene where the characters played by Mark Wahlberg, Charlize Theron, and Jason Statham drive three Mini Coopers down a set of stairs and into a subway station in Hollywood, it really is the actors performing in that scene. Another interesting Putting It All Together Deciding the Details Many times, a script does not detail the action but gives only a general description. For example, a script might call for a car accident in which the hero ends up in the hospital. In this case, the director, his or her assistants, and sometimes the stunt coordinator decide how the accident should happen.