By Daniel Kremer
Known for his visible type in addition to for his experimentation in almost each style of narrative cinema, award-winning director Sidney J. Furie additionally has the excellence of getting made Canada's first ever feature-length fictional movie in English, a perilous Age (1957). With a physique of labor that comes with The Ipcress dossier (1965), woman Sings the Blues (1972), and The Entity (1982), he has collaborated with significant stars corresponding to Marlon Brando, Frank Sinatra, Robert Redford, and Michael Caine, and his movies have encouraged a few of Hollywood's so much celebrated administrators, together with Stanley Kubrick and Quentin Tarantino.
In this primary biography of the prolific filmmaker, writer Daniel Kremer deals a finished examine the director's precise profession. Furie pioneered strategies corresponding to improvisation in large-scale movie productions, and infrequently shot his motion pictures in series to increase the characters from the floor up and enhance the performers' in-the-moment spontaneity. not just has Stanley Kubrick stated that Furie's the men in corporation C (1978) educated and prompted complete steel Jacket (1987), yet Martin Scorsese has acknowledged that he considers The Entity to be one of many scariest horror movies of all time. notwithstanding, Furie used to be frequently later criticized for accepting lowbrow paintings, and consequently, little severe research has been dedicated to the director.
Meticulously researched and more suitable by means of Kremer's shut dating with the filmmaker, this definitive biography captures the highs and lows of a great yet underexamined occupation, taking readers behind the curtain with a director who used to be usually prior to his time.
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Additional info for Sidney J. Furie: Life and Films (Screen Classics)
Sample text
Venturing to New York as he often did, Furie cast Ben Piazza, a twentyone-year-old California-born Actor’s Studio graduate who had just made his professional off-Broadway debut in the play Too Late the Phalarope. Piazza went on later to a career as a character actor in television and popular films such as The Bad News Bears (1976), The Blues Brothers (1980), and Mask (1985). Starring opposite Piazza was Anne Pearson, a bright-eyed nineteen-year-old who was then fresh off a supporting turn in a Broadway production of Arthur Laurents’s A Clearing in the Woods (which closed on February 9, 1957, after only thirty-six performances); she disappeared from film and television after her star role in A Dangerous Age.
He was the only person on the crew reading the Times of London. In those days, that was the upper-class paper. ” Roeg’s advice to Furie, who was itching to make The 25th Mission, was simple: “Just be happy with the movies they gave you. It’s good practice! ”1 Says Roeg, “The first word that leaps to mind when you mention Sidney is movie-mad. He was obsessive about movies, constantly talking about movies, whereas I guess, in those days, I wasn’t quite concerned with the cinema as much as all that.
Though enlisted strictly as director-for-hire on these projects, Furie’s sensibility and thematic fascinations do surface, being no less present than in later, personally engineered endeavors. Doctor Blood’s Coffin, with its story of illegal human medical experiments in an abandoned small-town tin mine, features Kieron Moore as a twisted physician who literally takes his male psychosis underground while proving inept in attempts to woo (and impress) nurse Hazel Court. ” The screwball comedy Three on a Spree features Jack Watling as another of the director’s hapless males who is made a eunuch by money and by a variety of women who work different angles.