Download Sergei Eisenstein: A Life in Conflict by Ronald Bergan PDF

By Ronald Bergan

Publish yr note: First released in 1999
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Now again in print, this acclaimed biography reassesses a titan of early cinema in line with new fabric published after the autumn of the Soviet Union.

Sergei Eisenstein: A lifestyles in Conflict tells the dramatic tale of 1 of global cinema’s towering geniuses and imperative theorists. Ronald Bergan info Eisenstein’s lifestyles from his precocious adolescence to his explosion onto the avant-garde scene in innovative Russia, via his groundbreaking movie occupation, his relationships with authors and artists resembling James Joyce and Walt Disney, and his premature dying at age fifty. Eisenstein’s landmark movies, together with The Battleship Potemkin and Ivan the Terrible, are nonetheless watched, fashionable, and taught during the world.

Drawing upon fabric lately published from the Soviet files after the breakup of the USSR and from Eisenstein’s own letters, diaries, and sketches, Bergan shines a brand new gentle at the impact of Eisenstein’s youth on his paintings, his homosexuality, and his willing curiosity within the West. This e-book is the definitive biography of an influential director who observed movie because the synthesis of the entire arts and whose paintings displayed a passionate and profound snatch of paintings, technological know-how, philosophy, and faith.

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Extra resources for Sergei Eisenstein: A Life in Conflict

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It inspired serious scientific debate even before Freud published an important paper about using hypnosis as a cure for hysteria. WHO WAS FREUD? Now that we know chronological correlations between Freud’s invention of psychoanalysis and the invention of modern cinema, we can take a closer look at Freud the person, Freud the scientist, Freud the psychoanalyst, and even Freud the Jew. We know that other important events (filmic and otherwise) occurred during the course of Freud’s long life. In fact, films produced in Freud’s final years of life were critical to transmitting his message after his death in 1939.

Cinema is the ultimate confirmation of these principles from perceptual psychology, for cinema makes us believe (temporarily) that events taking place on screen are real. As for our topic of movies and the modern psyche, we can see how these two twentieth-century innovations—psychoanalysis and perceptual psychology—both called attention to the fact that the mind (psyche) processes information and reinterprets information, in spite of our intent. The mind, or psyche, overrides our will, which was once thought to be inviolable.

Then, in 1896, Freud claimed that he could cure hysteria through a neverbefore-discovered technique: psychoanalysis. Freud’s experimental psychoanalytic 18 MOVIES AND THE MODERN PSYCHE treatment technique would become known as the talking cure. Colloquially, it was called the couch cure because it took place on a couch, which was common in Victorian-era parlors. The important point is that both psychoanalysis and cinema came into being nearly simultaneously, in the short span of two years. In 1898, two years after he coined the concept of psychoanalysis, and recanted earlier ideas about using hypnosis to cure hysteria, Freud published a groundbreaking paper called Sexuality in the Aetiology of Neuroses.

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