By Louis Horst
Booklet by means of Horst, Louis
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Extra info for Pre-Classic Dance Forms
Sample text
The only Allemandes written by contemporary composers, and known to the writer, are those of Niemann and Prokofieff. Dance students should however still find this forrn useful for experiments with arm movements, and the projection of sentiment sans sentimentality. (Lambranzi. " (Sir E. ) T HE Courante was a great favorite for two centuries (about 1550 to 1750), and passed through three dis- tinct developments during its long existence. No other court dance sustained its popularity for such a long period, with the possible exception of the Minuet.
All students of dance composition should likewise find this form a grateful vehicle for choreographic ideas of serious, and also of social import. The contemporary tragedy in Spain should supply much deeply felt subject matter. The Sarabandes of Martha Graham and Jose Limon are quite definitely concerned with this tragic scene. TRACT Or" A SARABANDE from Feuillet Gigue Sum luvis, new cum to tom, With jeigis to mak thame joly ; Sum luvis to dance up and doun, To meiss thair malancoly. (Alexander Scott.
They appear in the London Monthly Musical Record (Vol. 40, Nos. ) Musical history records many fine Allemandes. We find the oldest that have come down to us in the book by Ernst Mohr. He quotes the first lntinized one encountered; a short eightmeasure Almande by Peter Phalese, published at Lyons in 1546. Then, in order, he gives us seven Allemaignes by Tielman Susato, Antwerp, 155 1 ; four Allemandes by Claude Gervaise, from Troisieme livres de danceries, Paris, 1556, and PRE-CLASSIC DANCE FORMS nine more Almandes by Phalese, published in 1571 at Antwerp.