By D. Simmons
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Extra info for New Critical Essays on H.P. Lovecraft
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Even books that explore the role that depictions of non-Western ethnicity and race have played in the history of Western Gothic writing, such as Teresa A. Goddu’s Gothic America: Narrative, History and Nation (1997) and Keith Allen Cartwright’s Reading Africa into American Literature: Ethics, Fables, and Gothic Tales (2001), largely ignore Lovecraft’s fiction and its continuing relevance within this genre of fiction. Though the majority of scholarship concerning the Gothic ignores Lovecraft’s writing, this chapter will seek to align Lovecraft’s adoption of racist discourses in his fiction with this greater body of work on the close relationship between the Gothic genre and the processes of (racialized) abjection.
Burgin 116) Lovecraft’s women can be read through the psychoanalytic lenses of Gothic horror, particularly the castration anxiety underlying the defamiliarization and abjection of women as monstrous mothers of the more monstrous, and/or as voracious, excessively sexual, seductresses, or as predatory hags linked to devilish knowledge and power. Each of these versions of women in popular literature and culture depends on the same trajectory: an offer of something desirable, whether seduction, nurturing, or knowledge, which fills a lack, followed by a vicious and/or disgusting turn, a revealed secret that sends the discoverer mad, and in Arthur Jermyn’s case (“Jermyn”), choosing self-immolation over genetic revelations.
Joshi. London: Penguin Classics, 2002. Page references are from the Classics edition. ———. ” The Call of Cthulhu and Other Weird Stories. London: Penguin Books, 1999. 14–23. Reprinted with introduction, editing, and notes by S. T. Joshi. London: Penguin Classics, 2002. Page references are from the Classics edition. ———. ” Joshi. 50–80. ———. Selected Letters: 1911–1924. Ed. August Derleth and Donald Wandrei. Sauk City, WI: Arkham House, 1965. ———. Selected Letters: 1925–1929. Ed. August Derleth and Donald Wandrei.