By Maryline Desbiolles
Rien ne le destinait à être peintre. Et ce rien, ce rien dont il type, ce brouillard est peut-être ce qui lui a défendu de jamais s'établir, de jamais composer avec le monde que l. a. peinture aurait dû révolutionner, comme il l'a cru un temps. Romanichel avant toute selected : celui qui l'attrapera n'est pas né. Plutôt que le retenir, tenter un pas de danse, inédit, avec lui.
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Museum, New York. Cezanne Musee d'Orsay, 1885-87, Musee du Louvre, c. Museum, Museum Folkwang, c. Philadelphia. 1873, Department of Graphic Arts, in Musee du Louvre, Paris. Property of Musee d'Orsay. The Sea from c. 1 878-79, painting, Musee Picasso. N. Pages 38-39: Portrait of Amhroise Vollard, c. 1899, painting, Musee du Petit Palais. Photo from the photo archives of the Musees de Pages la Ville de Paris, 40^1: Self Portrait © by SPADEM. against a Rose Background, Domac Paris, in his study at c.
Moor, to It is feel the essential for wind on him to breathe the air his face, to of the measure the strength of the sun. His enthusiasm takes him so far that he almost bums his eyes. On October 15, 1906, a storm overtakes him while he is painting. He falls ill and loses 54 1906, Cezanne painting outdoors, several months before his death. ^'k. consciousness. eight days He later. comes almost idies His death as he would have willed it. " ^-- -- i. Let Us Dare To a critic who mocks his work, Cezanne retorts: "Me, I have the courage of my opinions.
1867, painting, Museu de Arte de Sao Paulo Assis Chateaubriand, Sau Paulo. Photo by c. 1866, painting (detail), Musee d'Orsay, Paris. N. ). Portrait ofAchille Emperaire, c. 1868-70, painting, Musee d'Orsay, Paris. N. Head of Achille Emperaire, c. 1 867-70, drawing. Department of Graphic Arts, Musee du Louvre, Paris. Musee d'Orsay. N. Pages 20-21: Madame Cezanne in a Red Armchair, l^ll-lS, painting. Museum of Fine Arts, Boston. Houses of LEstaque, c. 1882-85, painting, National Gallery of Art, Washington.