By Elizabeth Drake-Boyt
Latin dance and song have had a common effect upon the advance of alternative social dance and track types within the usa. for that reason, Latin dance kinds are one of the most vital dance kinds in America.
Latin Dance addresses each significant kind of Latin dance, describing the fundamental steps that represent it in addition to its rhythmic speed and time signature, and analyzing its improvement from ecu, African, and Amerindian impacts. the writer explains the variety of kinds and expression to be present in Latin dances basically in the context of social dancing, the recognition of salsa this present day, and the wider social meanings and implications in their multicultural origins from the 1600s to the current. The historical connection among exhibition Latin dance and American sleek dance via vaudeville is defined as well.
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Additional resources for Latin Dance
Example text
American Roots Music (New York: Harry N. Abrams, 2001), 126–143. 7. html (accessed: May 11, 2010). 8. Pen˜a, 130. 9. Pen˜a, 132. 10. Youtube: cumbia leyana and tejano (accessed: May 5, 2010). 11. Pen˜a, 140. 12. Ed Morales, The Latin Beat: The Rhythms and Roots of Latin Music from Bossa Nova to Salsa and Beyond (Cambridge, MA: Da Capro Press, 2003), Introduction: xxiv. 13. Morales, Introduction: xxi. 14. Rick Mitchell, “Selena,” In Houston Chronicle, online May 21, 1995 (accessed: May 30, 2010).
That makes the paso doble a kind of impression of Spanish elegance and exotic passion. The narrative of bullfighter and adversary sometimes played out in a paso doble also suggests a connection with Spanish Mexican folk dances. This is not surprising, as one of the Spanish imports to Mexico is the bullfight, and the deadly “dance”— matador and cape on one side, and the charging passes of the bull on the other—is part of the spectacle. But sometimes there is a change of roles between partners. In some village dances the “Baile del Torito” permits the girl to play the bullfighter as she tries to make her partner fall off the dance platform.
8 The repeated five-strike pattern (technically, a cinquillo) can be performed as a “forward clave rhythm” of three notes followed by two (sometimes called the “Cuban” or son clave, a 3/2 rhythm), or as a “reversed clave rhythm” of two notes followed by three (a 2/3, rumba, or African pattern). 9 Seven of these popular and familiar tropical Latin dances are described here; they are all dances of Caribbean and South American origins that have made good in the United States. As such, they have become staples of Latin dancing all across the country, favored not only in formalized style for ballroom and DanceSport, but also as informal dances (past and present) in Latin dance clubs and family Tropical Latin Dances 31 celebrations.