By June Dunbar
Jose Limn is universally famous as the most vital glossy dancers of the 20 th century. His procedure remains to be taught at significant schools and dance faculties; his dance corporation maintains to restore his works, plus provides new works. His most renowned paintings, The Moor's Pavanne, has been awarded world wide by way of ballet and sleek dance companies. This ebook provides a sequence of essays approximately Limn's existence and works through famous students and dancers who have been linked to Limn. It serves as an ideal creation to his choreography and legacy. The e-book should still attract lovers of recent dance.
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Extra resources for Jose Limon: An Artist Re-viewed
Sample text
The costumes'contributionhere was pivotal to the emotionaleffect of the dance. To better appreciatesome of Pauline'smost successfuland vivid creations for the Limon company,one should considerThe Traitor. The rich, deep colors of stained glass were her inspiration. High-wastedpants, also of velour, brought gravity to the dancers' silhouette. The costumes,were, nevertheless,of no specific style or period. Pureinspiration. For a work by Doris Humphrey createdin 1951, Night Spell, Pauline used gossamernylon fabric over nude-coloredleotards,enhancingthe other-worldlinessof the three apparitions which seemedto float and vaporizeas they surroundedJosein his torment ofthe night.
That summerthey were working on anothertask: the constructionand repairsfor the costumesin readinessfor the tour. All of this took place in the basementof PalmerAuditorium during the American DanceFestival(ADF). As the companywas completingperformances,I was busy cleaning, organizingand packingall of the costumes,shoes,tights, sewingnotions, extra fabrics for replacements,shoe dyes, elasticsand just about everything you could think of for emergencies,in preparationfor the tour. It was a good thing sincetherewere numeroustimes when major repairswere needed.
In 1958 Dr. Eventually, I had the good fortune to assistDr. Sweigardfor thirteen years at The Juilliard School. Dr. They were a causeof much humor and amusementbetween us. He was passionateabout movement, dance, Chopin, Bach and Michelangelo, whereas anatomy or Laban's ideas about effort / shape hardly tickled his fancy. Yet he was concernedthat the techniqueclasses would preparethe dancersfor the demandsof his choreographyboth technicallyand stylistically. Before going further, I must explain that the Limon techniqueis not codified.