By Ronald Schwartz
Film noir is a very American stylistic phenomenon (although named via French movie critics) that permeated approximately each significant, minor and self sustaining Hollywood studio construction from 1940 in the course of the early Nineteen Sixties. the writer examines his own number of the easiest noir movie represented by way of each one studio and comprises each one studio's background and formation, a meticulous plot define, an exam of the careers of the celebrity roster for every studio, in addition to each one manufacturer, director, screenwriter, digicam guy, composer, artwork and set administrators, a critique of every movie in addition to a sequence of stills that characterize the noir variety. The ebook additionally contains, in shorter shape, a bankruptcy at the self sufficient productions and the second one offerings of "best" movie noirs of significant and minor studios, movie noirs that didn't make the 1st cut.
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Additional info for Houses of Noir: Dark Visions from Thirteen Film Studios
Example text
When Farrell retrieves Gilda from the arms of Evans, Gilda protests and says, “Didn’t you hear about me, Gabe? ’” To protect Ballin from Gilda’s “infidelities,” Farrell lies to Mundsen, saying she went to the movies. ” By taking Farrell into his confidence, Mundsen cements their relationship. Mundsen is “mad about her,” and so Farrell should not come between them. Gilda returns home with Gabe, wearing a stunning Jean Louis evening jacket loaded with glitter. Farrell knocks the slightly drunken Gabe down for flirting with another man’s wife and the latter retreats.
The second still shows Macready on the left, spinning the dial of a safe that was hidden behind a painting, seen raised above the safe as Glenn Ford watches smugly and carefully. We are in the home of Ballin Mundsen, and Johnny Farrell is being told that if anything happens to the former, he is to open the safe in which the papers from the “tungsten cartel” are to be found. The cartel is another “McGuffin” like the famous “letters of transit” in the famous Michael Curtiz thriller Casablanca (1942).
As the plan falls into place, Doll prepares to leave Dix’s apartment. Dix calls her back — but only to get her new address. She mistakenly thought he would ask her to stay on. The scene shifts from the well-lighted rooms of Dix’s apartment to the dark basement of Cobby’s gambling joint, with a single bulb casting 45 HOUSES OF NOIR the light overhead as Doc unfolds the plans on a huge table under the light. They discuss entering the Belletiers store through a manhole where Louis can easily saw through a brick wall, cut the alarm wires, open the back door for Doc and Dix, then proceed into the store and blow open two safes to obtain a cache of jewelry worth about $200,000.