By Jeff Wignall;
Named certainly one of Shutterbug Magazines most sensible electronic Imaging Books of 2008!
Capturing a picture and getting the perfect publicity is necessary and Jeff Wignall acknowledges publicity because the mystery for developing a picture that captures a imaginative and prescient and stocks it with the area. in the event you observe his innovations with persistence, experimentation, and a spotlight at the final result, you'll start developing photos that demonstrate not just what you observed, yet the way you felt if you observed it. in truth in response to Shutterbug journal publicity picture Workshop “may be the simplest e-book but written approximately exposure.” through studying to paintings with traditional mild in addition to whilst to exploit flash you'll optimistically catch motion, evening scenes, rainbows, sunsets, and reflections like by no means ahead of. With wonderful photos, Jeff Wignall indicates you ways to completely disclose photographs in even the main hard latest mild stipulations, together with negative climate, utilizing a flash, or even a bit guiding you thru utilizing a number of instant flash devices. you could add your individual pictures to Photoworkshop.com and get suggestions from different photographers.
Wignall begins by way of explaining the basics of publicity and why it’s vital. This leads into studying the fundamentals of publicity controls. via the tip of bankruptcy 2, you'll understand how to regulate the publicity in your point-and-shoot or electronic SLR digicam. bankruptcy three walks readers via measuring gentle utilizing on the subject of any mild meter and bankruptcy four delves into lens apertures and intensity of box. the focal point strikes to shutter pace and topic movement. After bankruptcy 6, you’ll have the data and self belief to show off your camera’s computerized settings and take guide keep watch over. Wignall then examines normal gentle exposures, discussing the intricacies of sunshine caliber, mild course, and time of day. As you strategy extra complex publicity recommendations, you’ll want the troubleshooting recommendation supplied in bankruptcy eight, overlaying tricky occasions equivalent to metering demanding situations, dealing with distinction, and growing dramatic silhouettes. With extra complex options mastered, you could then process evening and low-light stipulations after which study particular concerns corresponding to the elements and normal phenomena. The booklet finishes powerful with a finished examine all issues flash photography.
Read or Download Exposure Photo Workshop: Develop Your Digital Photography Talent PDF
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Additional resources for Exposure Photo Workshop: Develop Your Digital Photography Talent
Example text
At the very least, for now, learn where the control is to turn your histogram feature on and off. I discuss the advantages — and the limitations — of the histogram feature in Chapter 8. ■ Get to know an image-editing program. If you’re not already using an image-editing program, it’s probably a good thing to learn concurrently with learning to use your digital camera. With some basic skills in editing, you can quickly remedy those (rare) exposure mistakes that you make with the camera, or simply enhance the good qualities of your exposures (converting images to black and white, for example — see figure 1-12).
5 at ISO 100, on a tripod. ABOUT THIS PHOTO Fog is the great thief of contrast, and the brightness of fog can fool a camera’s light meter into thinking there’s more light available than actually exists. 6 at ISO 200, on a tripod. Getting a good exposure in tricky conditions may seem like an overwhelming challenge when you’re first getting used to your camera, but it will become second nature very quickly. I’ve seen students who didn’t know a blown out highlight from a lens cap at the start of one of my adult-education classes, mastering the basics of exposure in a matter of a few weeks.
The key to getting the exposure that satisfies you the most is imagining what you want the picture to look like before you even begin to meter the subject (see 1-15 and 1-16). In the shot of New Hampshire’s famed stone profile of the Old Man of the Mountain (see 1-17), I turned his classic profile into a silhouette by exposing for the sky. Sad to say, the Old Man crumbled to the valley floor during a hard winter — after 12,000 years of looking down on New Hampshire. ABOUT THESE PHOTOS Sunsets offer a great example of how a slight shift in exposure can radically alter the final results.