By Joyce Sparer Adler, Irving Adler, Janet Jagan
The essays during this publication are valued for his or her profound insights. They have been initially released in quite a few journals yet are actually gathered the following and on hand to a much broader viewers. the gathering comprises Joyce Adler’s formerly unpublished essay on Harris’s cross-cultural discussion with Melville, and a considerable autobiographical essay by way of Wilson Harris.
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Additional info for Exploring the Palace of the Peacock: Essays on Wilson Harris
Sample text
The reading is a “fantastic voyage” not, this time, inside the consciousness of the character, but his unconscious; and if the reader does not understand everything, neither is he expected to, but to keep searching. A great many insights come to the surface all along and are developed. Written in 1965 the novel reflects the state of shock that has been the aftermath of events in Guyana that began in 1962: the riots, the killings, the destruction, the sharp division of the Guyanese people, the whole splitting of the “Guyanese personality”.
36). ) Wilson Harris’s art gives visual or sensuous reality to his ideas of the inner drama of man and of the world he inhabits. He finds that what his own experimental exploration demands is a “slow unravelling of obscurity – revelation or illumination within oneself ” (p. 52), leading to revelation of our “peculiar membership one of another . . the life of consciousness in a circuit of relationships” (p. 53). And since our awareness is not made up of “solo” sense impressions but of orchestrated sensations and responses, the art of fiction, to express reality, must present “convolutions” of images.
The text is from a talk given at the conference on Canon Formation of the American Literature Association, May 1992. Chapter 9, “Wilson Harris: An Introduction”, was written for the Review of Contemporary Fiction (Summer 1997), and is reproduced here with the permission of Dalkey Archive Press. The original manuscript for this book consisted of a typescript and photocopies of journal articles printed with different typefaces and page sizes. I am grateful to my daughter Peggy Ann Adler who converted it into a readable text in a uniform format.