By Dennis Rothermel Silke Panse
A Critique of Judgment in movie and tv is a reaction to an important raise of judgment and judgmentalism in modern tv, movie, and social media through investigating the altering family among the aesthetics and ethics of judgment.
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Additional resources for A Critique of Judgment in Film and Television
Translated by Alan Sheridan. New York: Random House. The Good Wife. 2009–. CBS. Graham, Alison. 2013. “News isn’t a Democracy. ” Radio Times: August 11, 2013. com/news/2013-08-11/news-isnt-ademocracy---leave-it-to-the-experts. Grear, Anna. 2010. Redirecting Human Rights: Facing the Challenge of Corporate Legal Humanity. Global Ethics Series. London and New York: Palgrave Macmillan. Greenfield, Steve, Guy Osborn, and Peter Robson, eds. 2010. Film and the Law: The Cinema of Justice. London and Sydney: Cavendish Publishing.
Radio Times: August 11, 2013. com/news/2013-08-11/news-isnt-ademocracy---leave-it-to-the-experts. Grear, Anna. 2010. Redirecting Human Rights: Facing the Challenge of Corporate Legal Humanity. Global Ethics Series. London and New York: Palgrave Macmillan. Greenfield, Steve, Guy Osborn, and Peter Robson, eds. 2010. Film and the Law: The Cinema of Justice. London and Sydney: Cavendish Publishing. 28 Judgment between Ethics and Aesthetics Groys, Boris. March 2009. “Who do You Think You’re Talking To?
Even in a legal drama, most of the judgment takes place outside the court, and the deliberations about tactics and expressions of judgments made in private and on faces are what drive the drama, not the final outcome of the trial. Characters in fictional drama, as well as actual protagonists in reality television, constantly make judgments. Judgment in film and television is not just about the law, even if they are contained in a narrative. Although the circular claim that films are like trials and trials are like films might hold true for American fiction films and television dramas, there are many moving images outside the mainstream to which this equation does not apply, especially if they are non-narrative or world cinema.