Download Why Do We Care about Literary Characters? by Blakey Vermeule PDF

By Blakey Vermeule

Blakey Vermeule wonders how readers get involved within the lives of fictional characters, humans they recognize don't exist.

Vermeule examines the ways that readers’ reports of literature are laid low with the emotional attachments they shape to fictional characters and the way these studies then effect their social relationships in actual existence. She makes a speciality of a number of themes, from intimate articulations of sexual hope, gender identification, ambition, and competition to bigger concerns because of speedy ancient and monetary swap. Vermeule discusses the phenomenon of emotional attachment to literary characters basically when it comes to 18th-century British fiction but additionally considers the postmodern paintings of Thomas Mann, J. M. Coetzee, Ian McEwan, and Chinua Achebe.

From the point of view of cognitive technological know-how, Vermeule reveals that worrying approximately literary characters isn't really all that various from worrying approximately folks, specially strangers. The instruments utilized by literary authors to sharpen and concentration reader curiosity faucet into advanced neural mechanisms that set off a worrying reaction.

This ebook contributes to the rising box of evolutionary literary feedback. Vermeule attracts upon fresh examine in cognitive technological know-how to appreciate the psychological techniques underlying human social interactions with no sacrificing stable literary feedback. humans drawn to literary concept, in cognitive analyses of the humanities, and in Darwinian methods to human tradition will locate a lot to think of in Why will we Care approximately Literary Characters?

Show description

Read Online or Download Why Do We Care about Literary Characters? PDF

Similar literary theory books

Science and Technology in the Age of Hawthorne, Melville, Twain, and James: Thinking and Writing Electricity

This leading edge ebook unearths the whole quantity of electricity's importance in 19th- and early-twentieth-century tradition. Ranging throughout an unlimited array of fabrics, Sam Halliday indicates how electrical energy functioned as either a method of representing "other" things--from love and unity to embodiment and temporality--and as an item of illustration in its personal correct.

Fiction's Present: Situating Contemporary Narrative Innovation

Fiction writers and critics interact the cultured, political, philosophical, and cultural dimensions of up to date fiction.

Discourse Analysis

Discourse research is a time period that has come to have varied interpretations for students operating in several disciplines. For a sociolinguist, it really is involved in most cases with the constitution of social interplay manifested in dialog; for a psycholinguist, it really is essentially desirous about the character of comprehension of brief written texts; for the computational linguist, it's desirous about generating operational types of text-understanding inside of hugely restricted contexts.

Extra info for Why Do We Care about Literary Characters?

Sample text

Meanwhile Madison County, Iowa, features the novel prominently on its website as a tourist draw. On the face of it these examples seem like opposites. In James Frey’s case, people were willing to absorb themselves in the details of his story and to be inspired by his example, but when they discovered that some of the details were fictional, they suddenly and sharply rejected his authority and turned against him. In the case of Waller’s novel, readers were told, sometimes several times, that 20 Why Do We Care about Literary Characters?

Oprah chose Franzen’s book as the monthly selection of her book club, but Franzen, with a rather deplorable lack of grace, declined the honor, saying in effect that Oprah’s book club wasn’t for serious readers. A few months later, Oprah, whose patronage of the publishing industry had done wonders for sales, shut down her book club altogether. The contest between Franzen and Winfrey was finally a contest of branding, cast as the age-old battle between art and commerce. During the road show for his book, Franzen noted several times that he The Fictional among Us 17 had majored in English at Swarthmore and that the experience had had a profound effect on his aesthetic.

Not at all. Before I get to the props and how they work (or don’t), let me backtrack a little to explore how we reason about people and why we are driven to do so. I am going to begin with some conceptual primitives and then work my way around to larger cognitive mechanisms. The first conceptual primitive is animism. Human beings animate everything. The anthropologist Stewart Guthrie has written an excellent book on this cognitive habit, showing how it underlies religious experience: “We often see nonliving things and events as alive, especially if they move, make noise, or otherwise stand out from the landscape.

Download PDF sample

Rated 4.89 of 5 – based on 47 votes