Download The Wonderful Wizard of Oz (Barnes & Noble Classics Series) by L. Frank Baum PDF

By L. Frank Baum

The great Wizard of Oz, through L. Frank Baum, is a part of the Barnes & Noble Classics series, which bargains caliber variations at cheap costs to the scholar and the overall reader, together with new scholarship, considerate layout, and pages of rigorously crafted extras. listed below are a few of the amazing beneficial properties of Barnes & Noble Classics:

  • New introductions commissioned from ultra-modern most sensible writers and students
  • Biographies of the authors
  • Chronologies of up to date ancient, biographical, and cultural occasions
  • Footnotes and endnotes
  • Selective discussions of imitations, parodies, poems, books, performs, work, operas, statuary, and movies encouraged by way of the paintings
  • Comments by means of different well-known authors
  • Study inquiries to problem the reader's viewpoints and expectancies
  • Bibliographies for additional interpreting
  • Indices & Glossaries, whilst appropriate

All variants are fantastically designed and are published to more advantageous standards; a few comprise illustrations of old curiosity. Barnes & Noble Classics pulls jointly a constellation of influences—biographical, ancient, and literary—to improve each one reader's figuring out of those enduring works.

 
Dorothy, the Scarecrow, the Tin Woodman, the Cowardly Lion—they’re now as loved part of American folklore as Johnny Appleseed and Paul Bunyan. for the reason that its first e-book in 1900, L. Frank Baum’s tale of a bit lady over excited by way of a twister to the unusual and lovely Land of oz. has had a unprecedented emotional influence on wide-eyed readers younger and old.

As Dorothy trips down the yellow brick highway to the Emerald urban, hoping the nice and negative Wizard who lives there'll aid her go back domestic, she stocks adventures with the well-known trio of characters, defeats a depraved witch, and learns concerning the energy of friendship, loyalty, and self-confidence. whereas students have debated for many years over attainable political meanings hidden in the story, Baum himself claimed he easily desired to write a “modernized fairy story, within which the wonderment and pleasure are retained and the heartaches and nightmares are left out.” because it has performed for generations earlier, this vintage of fable experience speaks movingly approximately what each baby wishes: the Woodman’s compassion, the Lion’s braveness, and the Scarecrow’s wisdom.

With unique illustrations through William Wallace Denslow.

J. T. Barbarese teaches at Rutgers college in Camden, New Jersey, the place he's a member of the Rutgers heart for kids and formative years experiences. he's the writer of 4 books of poetry and a translation of Euripides.

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Extra info for The Wonderful Wizard of Oz (Barnes & Noble Classics Series)

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27, note 13. 9 The idea of a play that tacitly embodies its interpretation did not begin or end with The Wizard of Oz. The staging of Peter Pan routinely casts the same actor to play both Mr. Darling and Captain Hook, and legend has it that in Sophocles’ Philoctetes the same actor played the role of both the evil Odysseus and the god Hera cles, who arrives as a deus ex machina. 10 Though there have been dissertations written on The Wonderful Wizard of Oz, it has tended to attract a good deal less scholarly interest because on the surface it offers scholarship too little opportunity to do what it does best—quibble.

While it gestures to nature and to the appealing presence of natural forces, like nature itself it can possess a malign, counter-Wordsworthian aspect. In Gawain and the Green Knight, for instance, green is assigned to a figure who mingles both beauty and monstrosity, virtue and cruelty; in The Great Gatsby, green is the color of the inspirational light at the end of Daisy Buchanan’s dock and of the “death car” that kills Myrtle Wilson. 23 Does Dorothy’s progression from a blue-dominated land to a “green” destination make some significant commentary on her journey, or is the relationship an accidental correlation?

He is the author of four books of poetry and a translation of Euripides. His fourth volume of poetry, The Black Beach (University of North Texas Press), was awarded the Vassar Miller Prize for poetry in 2004. He is also the author of New Science (University of Georgia Press, 1989) and A Very Small World (Orchises Press, 2004). His poems have appeared in Atlantic Monthly, Boulevard, Georgia Review , Denver Quarterly, Sewanee Review, and Poetry, and most recently in the anthology The Italian-American Reader (Morrow, 2003).

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