By David Bergman
The participants of the literary circle referred to as the Violet Quill -- Andrew Holleran, Felice Picano, Edmund White, Christopher Cox, Michael Grumley, Robert Ferro, and George Whitmore -- jointly symbolize the aspirations and the success of homosexual writing in the course of and after the homosexual liberation circulation. David Bergman's social heritage exhibits how the works of those authors mirrored, complicated, and criticized the values, ideas, and prejudices of the tradition of homosexual liberation. In spinning the various most crucial tales homosexual males instructed of themselves within the brief interval among the 1969 Stonewall Riots and the devastation of the AIDS epidemic through the Eighties, the Violet Quill exerted a big effect on homosexual tradition. The demise toll of the AIDS epidemic, together with 4 of the Violet Quill's seven contributors, has made placing such contemporary occasions right into a ancient context the entire extra vital and tough. The paintings of the Violet Quill expresses the enjoyment, pain, grief, desire, activism, and caregiving in their new release. The Violet Hour meets the pressing desire for a background of the lads who bore witness not just to the delivery but additionally to the decimation of a tradition.
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Additional resources for The Violet Hour: The Violet Quill and the Making of Gay Culture (Between Men~Between Women: Lesbian and Gay Studies)
Example text
Not that White has rejected the importance of non-monogamy. In an interview in the Advocate with Sarah Schulman in response to Larry Kramer’s attack, White reaffirmed the value of multiple sex partners. “I have always seen gay life as an alternative to straight life. ” Moreover, White carefully places that sexual activity within the context of the 1970s. ” these shrieking violets Kramer’s solution to the problem is the conservative demand to return to the classics: Has no one read Tolstoy or Zola or Balzac or Chekhov or Dostoyevsky?
Virtually all of them had been involved with journalism, particularly gay journalism. White began in the Time magazine organization and, for a while, edited the Saturday Review and Horizon. Whitmore was a busy freelance writer, producing articles for the Village Voice, Travel and Leisure, Vogue, GQ (Gentleman’s Quarterly), the Washington Post, and the New York Times on such topics as tweed fabrics, German industrial design, Irish tea, S/M, and the great houses of Annapolis. Cox worked for the Soho Weekly News as a photographer and reviewer.
George Whitmore, Larry Kramer. (Bergman, Violet Quill Reader, 30) 15 16 these shrieking violets Picano hadn’t gone to the prestigious Iowa Writers’ Workshop like Holleran, Grumley, and Ferro. Nor had he socialized with the cream of New York intellectuals and artists as had White and Cox. Now he was partying with people he “never hoped to meet”—and with Holleran by his side, introducing him to everyone he wanted to know. Although he had majored in English at Queens College, a branch of the City University of New York known for its notably high standards at the time, he had worked as a social worker and bookstore manager while creating himself as a writer.