By James Chapman, Mark Glancy, Sue Harper (eds.)
The first significant review of the sector of movie background in two decades, this publication deals a wide-ranging account of the tools, assets and methods utilized by glossy movie historians. the foremost components of study are analysed, along precise case reports concentrated on recognized American, Australian, British and eu films.
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Extra resources for The New Film History: Sources, Methods, Approaches
Example text
In the first category, journeymen directors used the historical setting in a residual manner, and combined the lubricious with the forensic. Jimmy Sangster’s Horror of Frankenstein (1970) had a camp delivery of Frankenstein’s butchery and patchwork, and the manner of his Lust for a Vampire (1970) smooths over the difference between past and present. The best example of this residual category is Robert Young’s Vampire Circus (1972), which deploys the taboos of vampirism, aristocratic excess, incest, paedophilia and necrophilia in a manner that evokes utter disavowal.
The British Film Institute Production Board financed Winstanley (1976), a film which teaches us much about the cultural capital of the leftist avant-garde. Directed by Kevin Brownlow and Andrew Mollo, Winstanley is a bracing experience. Its deals with the Diggers of the seventeenth century, and their struggles for commonalty. 46 Both these are excised from the final film, probably because they might have a softening effect. 47 These politics were combined with an extreme commitment to verisimilitude – the actors growing and reaping their own crops.
Variety, 8 April 1970. Irving Allen spent three years on the script of Nicholas before he hired a director (The Guardian, 27 November 1971). 24. Evening Standard, 25 March 1959. 25. In Spiegel’s own publicity material, held on microfiche in the British Film Institute Library. 26. Interview with Burton in Films and Filming, April 1970, p. 22. 27. Carl Foreman Cuttings Collection, Special Collections, British Film Institute Library. 28. Press Book for Young Winston, in British Film Institute Library.