By Peter Turner
Few motion pictures have had the impact and impression of The Blair Witch undertaking (1999). Its arrival was once a horror cinema palette cleaner after a decade of serial killers and postmodern intertextuality, a naked bones 'found photos' pattern setter. during this Devil's recommend, Peter Turner tells the tale of the movie from his perception and creation then presents a special research of the ideas used, their attract audiences and the topics that helped make the movie such a global hit, together with the pionerring net marketing.
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Few movies have had the impression and influence of The Blair Witch undertaking (1999). Its arrival was once a horror cinema palette cleaner after a decade of serial killers and postmodern intertextuality, a naked bones 'found pictures' pattern setter. during this Devil's suggest, Peter Turner tells the tale of the movie from his perception and creation then offers a special research of the concepts used, their entice audiences and the subjects that helped make the movie such a world hit, together with the pionerring online marketing.
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Example text
If a scene takes place during the night, then it really is pitch black except for what the light on the camera can pick up. The viewer is again in exactly the same position as the characters because if they cannot see, then we cannot see. The use of a camera light could be considered a cinematic tool as lighting is usually considered an essential part of the cinematography that gives a film its distinctive look. However the scenes where the light is required in The Blair Witch Project are anything but traditionally cinematic.
Bristol: Intellect. Black, J. (2002) The Reality Effect: film culture and the graphic imperative. London: Routledge Bordwell, D. and Thompson, K. (1993) Film art: an introduction. Palatino: Ruttle, Shaw & Wetherill, Inc. Castonguay, J. (2004) ‘The political economy of the indie blockbuster: fandom, intermediality, and The Blair Witch Project’ In: Higley, S. L. and J. A. Weinstock (eds) (2004) Nothing That Is: Millennial Cinema and the Blair Witch Controversies. indd 50 03/11/2014 15:17 The Blair Witch Project Frappier, R.
140-7 Nichols, B. (2001) Introduction to documentary. Bloomington: Indiana University Press Pryor, T. (1947) Lady in the Lake (1946) At the Capitol. Available from: http://movies. res=9C04E3DE123EEE3BBC4C51DFB766838C659EDE [Accessed 30th June 2012] Schopp, A. (2004) ‘Transgressing the safe space: Generation X horror in The Blair Witch Project and Scream’ In: Higley, S. L. and J. A. Weinstock (eds) (2004) Nothing That Is: Millennial Cinema and the Blair Witch Controversies. Detroit: Wayne State University Press Tresca, D.