Download Sweet & Savage: The World Through The Shockumentary Film by Mark Goodall PDF

By Mark Goodall

Mondo Cane in 1962 was once the blueprint for a stunning, debatable and influential documentary movie cycle. identified jointly as "mondo films" or "shockumentaries," this enduring sequence of movies is a precursor of the truth television show.

A box-office draw for 3 a long time and now a staple of the video apartment marketplace, those explosive exposs may usually go fabricated scenes as truth so one can supply the general public a sensationalist, hugely emotive view of the world.

Sweet & Savage is the first-ever English-language booklet committed solely to the mondo documentary movie. A learn of mondo as an international movie phenomenon, it features a specified exam of the foremost movies and contains unique interviews with the godfathers of this cult genre.

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Additional resources for Sweet & Savage: The World Through The Shockumentary Film Lens

Sample text

Hmmm... The film ends with a grave warning about the "madness and horror of the year 2000". A special effects door opens and we are back again in the pan-pipe drenched world of the 'real' mondo cane. A retreat from the present and future into the past from which many have not returned? At one point, during a sequence on a project producing videos made from secret footage of public toilets, the voice-over describes the director's feeling that his work was like "Fellini, Lucas and Spielberg all rolled into one".

Shortly, if not already, it will no longer be possible to enter a movie house because the mere fact of stepping into it, apart from the film actually showing, may mean entering an indecent place, a brothel for maniacs Claudio Sorgi Shock, from the beginning. I always look for this. It's inside of me. It's life. Life is a continuous passage from one feeling to another Gualtiero Jacopetti IN T H E I R book, Cinema as Art Ralph Stephenson and J R Debrix, in discussing the work of French director Georges Franju, noted that "the brutality of Le Sang des Bêtes would have been unbearable if the film had been in colour".

Yet even against such a background the remarkable contribution of Arthur Davis to mondo reveals the most monstrous, untamed ego in the entire history of the sub-genre. Davis's crazed film, Brutes and Savages, is one of the most astonishing, disingenuous and disgusting of all mondo films, standing as a testament to the worst excesses of the shockumentary condition. Due to this alone the film is worthy of closer examination. Brutes and Savages is crowded by Davis's ridiculous presence but his book of the film, a thin facsimile of John Cohen's Africa Addio account, is also notable for excesses of self-promotion, where he modestly describes himself as an "author, world traveller, motion picture producer and director".

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