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This edited assortment unpicks the ways that love could be understood globally as a complicated and sometimes violent transgression instead of the narrative of 'happy endings' that Classical Hollywood has provided. The individuals make the most of various methodologies of background, textual research, psychoanalytic types, and cultural critique and have interaction with movies which were made up of the margins to the mainstream of cinema to discover concerns surrounding gender id and spectatorship.

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14. See Nicolas Winding Refn’s 2011 film Drive to see how the fetishization of the automobile continues to be a Hollywood moneymaker. 15. See Karen Beckman’s article “Film Falls Apart: Crash, Semen, and Pop” for a lengthy discussion of Vaughan’s flaccid penis and the ubiquity of semen in Ballard’s book. Works Cited Barker, Martin, Jane Arthurs, and Ramaswami Harindranath. 2001. The Crash Controversy: Censorship Campaigns and Film Reception. London and New York: Wallflower Press. Bazin, André. 1967–1971.

Piano Teacher, The (La Pianiste). Directed by Michael Haneke. Austria/France/ Germany, 2001. Sadomania (Sadomania: Hölle der Lust). Directed by Jess Franco. Spain/West Germany, 1981. Saw (series). Created by Leigh Whannell and James Wan. USA, 2004–2010. Serbian Film, A (Srpski film). Directed by Srđan Spasojević. Serbia, 2010. Tokyo Gore Police (Tôkyô zankoku keisatsu). Directed by Yoshihiro Nishimura. USA/ Japan, 2008. Virgin of Nuremberg, The (La vergine di Norimberga). Directed by Antonio Margheriti.

And even though the film seems to end conventionally, with the defeat of Magda at the hands of Olga and Michael, it is telling that the formerly square, straight couple invites Coñito to accompany them on their future travels; their new three-way relationship testifies to the transformative potential of the queer zone to which they have been exposed. It is also significant that the last thing we see in the movie is the imperious and impenitent Magda slogging determinedly into the swamp, wearing nothing but a pair of leather chaps—a potent reminder and reaffirmation of the enduring power of unreformed queerness.

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