By Jane Austen, Pat Rogers
'It is a fact universally said unmarried guy in ownership of a great fortune needs to be in wish of a wife.' With this well-known statement Jane Austen launches into the tale of the 5 Bennet sisters. it's a tale that on first interpreting is stuffed with suspense, shock and, finally, delight, and which on re-reading instructions, furthermore, admiration for the author's excellent ability in dealing with a deceptively complicated plot to its effective end. First released in 1813, and Austen's most well liked novel in her personal lifetime, delight and Prejudice has due to the fact that been generally regarded as one of many most interesting novels within the English language. the amount presents entire explanatory notes, an in depth severe creation protecting the context and e-book background of the paintings, a chronology of Austen's existence, and an authoritative textual gear. This version is an imperative source for all students and readers of Austen.
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Extra info for Pride and Prejudice (The Cambridge Edition of the Works of Jane Austen)
Sample text
The heroine consistently rejects a role of passivity, and shows some impatience with her sister Jane’s willingness to accept the dictates of society; she likewise feels amazement that her friend Charlotte is prepared to submit to a tedious life of bondage to the ineffable Collins. Things become trickier when we try to assess Austen’s direct exposure to the war of ideas which raged in her lifetime, as well as the degree to which this might inform a novel such as Pride and Prejudice. She did not grow up like Frances Burney in a cosmopolitan world of writers, musicians and artists; unlike Maria Edgeworth, she was not surrounded in her childhood by rationalists, idealists and progressive thinkers; and her formative experiences stood at a distance from those of Mary Wollstonecraft, whose ideas came to fruition in a milieu of radical thinkers.
Edmund Burke, Reflections on the Revolution in France (London: Dodsley, 1790), p. 129. xxxv Introduction due examination or consideration’ (OED) seems to be still hanging on. To that extent, the notion of ‘first impressions’, meaning a rush to make up one’s mind prematurely, survived when the title was altered. The famous opening sentence of Austen’s novel parodies another common use of words. In the form and cadence of this expression we can hear the accents of innumerable eighteenth-century moralists and raisonneurs, who liked to give their topic sentences the air of a sweeping maxim.
43 However, she never went into the contortions of shame and subterfuge which overtook Frances Burney on her acquisition of fame. ’44 In his biographic notice, published with Northanger Abbey and Persuasion just after his sister died, Henry Austen commented that she read aloud with ‘great taste and effect’. ’45 These vignettes show that Jane wrote initially to satisfy a domestic audience, one on whose responses she could count, and whose literary expectations came close to her own. Far from limiting the appeal of her books to a parochial readership, this determination to please those who surrounded her has lent her works the universality which attaches to anything supremely well done.