
By David Sutton, Peter Wogan
Why do Jaws, Field of Dreams, The gigantic Lebowski, and The Godfather stay strikingly renowned during this age of fragmented audiences and ever-faster spin cycles? Hollywood Blockbusters argues that those motion pictures proceed to captivate audiences simply because they play upon underlying tensions and difficulties in American tradition, very similar to the myths that anthropologists research in non-Western contexts. In making this argument, the authors hire and expand anthropological theories approximately ritual, kinship, reward giving, strength, egalitarianism, literacy, metalinguistics, stereotypes, and the mysteries of the opposite. The results—original insights into sleek movie classics, American tradition, and anthropological theory—will attract scholars of movie, Media, Anthropology, Sociology, and Cultural Studies.
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Additional resources for Hollywood Blockbusters: The Anthropology of Popular Movies
Example text
While Drummond focuses on movies that deal specifically with the human-animal-technology nexus, and Traube tends to focus on “people” movies to explore themes of race/class/gender, we have chosen a more diverse range of movies. This diversity should help readers see the possibilities for applying insights to movies of their own choosing, such application being the ultimate test of the value of the approaches being developed here. Let us turn, then, to a preview of the movies discussed in the subsequent chapters.
G. the bloody horse’s head, in a subsequent scene). We would argue that it is precisely this confusing combination—brutal men who nicely integrate work and family, objectivity and subjectivity—that makes it hard to wrap one’s mind around the Corleones, and that such ambiguity adds to our fascination with the film. Furthermore, the film consistently offers an image of extreme male solidarity. Indeed, deep love between fathers, sons, and brothers is expressed in the course of “business” relationships: a father and his sons work at the same business, sons try to save their father, and the father affectionately hugs and kisses his sons.
As the baker’s example shows, this symbolic gift economy also involves male exchange and nurturance through food—men feeding other men. ” These words follow the Don’s lecturing Johnny on the importance of being a “family man,” and also stand in contrast to the bandleader’s exploitation. Nurturing other men and being a “family man” are all part of being a good businessman in this gift economy. Returning to the bandleader’s contract, we also see that speech performatives, rather than writing, do the work of cementing mutual commitments with the Don.