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By Émile Zola, Roger Pearson (Translated with an Introduction and Notes by)

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Grandpa Maheu, known as Bonnemort (literally ‘good death’) because death has spared him so often, is the grandson of Guillaume Maheu, who (he likes to believe) discovered the first coal near Montsou and so led to the first mine being sunk there. And his son and grandsons are now working down the mine at Le Voreux, that ‘voracious’ pit which seems to gobble up the workers’ flesh like some ancient god demanding human sacrifice. His son Toussaint Maheu and his daughter-in-law, La Maheude – so called, like all the miners’ wives, because she is merely an adjunct of her (wedded or common-law) husband – have produced seven children; and the heedlessness with which they have been conceived – at ‘playtime’, after the miner has had his bath – is matched only by the casual cruelty with which heredity and environment snatch their lives away.

But the question of what to put in place of the status quo is answered by the collectivism of Pluchart, which he espouses with a new glibness and fanaticism, and his moment of glory comes in the forest of Vandame as he is acclaimed by an assembled throng of some 3,000 people. But when, as Rasseneur bitterly predicts, the people turn on him and blame him for their defeat, his disgust at their poverty increases, and he becomes more and more tempted by the taste for final solutions manifested by Souvarine.

If being part of the natural process means being shaped by heredity and environment and being assimilated to dumb animals and plants, by the same token it also means being part of a process of evolution. Where historically there is hope at the end of Germinal, because the future contains the legalization of trade unions, then ‘naturally’ there is hope also. For we carry within us the seeds of eventual betterment. Education – which the miners lack but are gradually receiving, which Étienne lacks but gradually acquires – is the key.

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