By Wallace Stegner
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Extra info for Angle of Repose (Penguin Twentieth-Century Classics)
Sample text
He was discouraged, and thought that he might give up writing novels altogether. A breakthrough did not come until late in his career, when he wrote All the Little Live Things (1967). It was with this novel that he at last found his voice by inventing Joe Allston, the narrator, who is witty, sometimes wise, and often cantankerous. Allston in All the Little Live Things would become the pattern for the narrators in Stegner’s last novels and the forerunner in several ways of Lyman Ward in Angle of Repose.
It pushes, and ten seconds later pushes again, and one second after that goes down on the button and stays there. That’s the way he summoned me this noon. I responded slowly, for I guessed who it was: his thumb gave him away. I had been expecting his visit, and fearing it. Also I had been working peacefully and disliked being disturbed. I love this old studio of Grandmother’s. It is full of sun in the mornings, and the casual apparatus and decorations of living, which age so swiftly in America, have here kept a worn, changeless comfortableness not too much violated by the tape recorder and the tubular desk light and other things I have had to add.
Among them is the authorized biography The True Adventures of John Steinbeck, Writer (1984), which won the PEN West USA award for nonfiction. His latest work was the authorized biography Wallace Stegner: His Life and Work (1996), which won the David Woolley and Beatrice Cannon Evans Biography Award. com. com. A. , 1971 Published by arrangement with Doubleday, a division of Random House, Inc. Published in Penguin Books 1992 This edition with an introduction by Jackson J. Benson published in Penguin Books 2000 Copyright @ Wallace Stegner, 1971 Introduction copyright © Jackson J.